Event Review: Ezra Collective @ Patterns (Brighton; Wednesday 14th November 2018) Every now and then, but not so often as to make you blasé, you can find yourself at a gig that will truly leave you speechless and absolutely quivering with the sheer joy of the experience, such is the level of the musical dynamics on show. Join the mailing list to keep up with the latest You Can’t Steal My Joy has been a long time coming—the South London-hailing band have spearheaded the burgeoning, youthful jazz movement for far too long without an album. At times, we are the first to lose track of how many exciting music events happen in London each month, so we have decided to offer you some sort of “public musical service”, meant for all the locals and passers-by, with the aim of suggesting where to listen to some…, Set in the heart of the Sussex Downs, Love Supreme Festival returned for its 6th year of spreading the gospel of jazz, blues and soul to some 40,000 music lovers. Our editorial content is not influenced by any commissions we receive. Whatever gives you pleasure, be it music, art, food or another, it is a very key component of our lives. Event Review: Ezra Collective @ Patterns (Brighton; Wednesday 14th November 2018) Every now and then, but not so often as to make you blasé, you can find yourself at a gig that will truly leave you speechless and absolutely quivering with the sheer joy of the experience, such is the level of the musical dynamics on show. Listening to You Can't Steal My Joy, you can tell that Ezra Collective is capable of playing any kind of music. Unless you were the man who told me, bizarrely, that he “doesn’t like virtuosity in music”, you were going to…, Colours rise from dark contours as a London jazz renaissance takes form. Ezra Collective. Mollison’s broad tone introduced us to Sun Ra’s classic ‘Space Is The Place’, before the rest of the band filled the room with this very melodic version. There is a such a sense of joy and exuberance to their music that it’s hard not to get caught up in it all. Clash In an age of hostile austerity manufactured by moral panic-inducing powers, Ezra Collective’s debut effort is a polyrhythmic balm for disillusioned youth seeking a … You Can't Steal My Joy Double Vinyl Sold Out. The Lost & Found vocalist’s velvet tones complement Femi’s ever-expanding, creative rhythms; a coupling that has seen worldwide success on Smith’s recent tours. Explore releases from Ezra Collective at Discogs. A celebration of jazz, without being overtly reverential towards older conventions, this is a collection that draws on – and adds to – the genre's new wave Read Review. Tenor saxophonist Shabaka Hutchings directs the way, bringing together a collection of his most in-demand friends on the new-jazz scene. Their musicianship is such that they don’t require any extra bells and whistles. Patterns, Brighton. A primer on London’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. Read and write album reviews for Juan Pablo: The Philosopher - Ezra Collective on AllMusic I was lucky enough to witness Ezra Collective's superb music in quite an intimate venue. You can constantly feel at home with them and experience that comfortable atmosphere which smoothly makes you at ease. Ezra Collective’s debut album is a testament to all things London; not only the multicultural heritage that is so evidently ingrained within the music, but in the energy that is consistent throughout this project. This was one such gig. Along with Femi’s brother TJ on bass, EC is comprised of Joe Armon-Jones on keys, Dylan Jones on trumpet and James Mollison on sax. The first since the release of their debut album Can’t Steal My Joy last year. EP Review: Ezra Collective – Juan Pablo: The Philosopher Juan Pablo: The Philos o pher is the h otly anticipated second EP by London-based Ezra Co ll e ctive . On “Why You Mad?”—a number that commands movement and dancing—bassist TJ Koleoso’s urgent strums are interjected by a tumultuous flurry of energy from James Mollison on sax and Femi Koleoso on drums—a sound easily recognisable as that of Ezra Collective. Femi and Armon-Jones also locked their stare on a number of occasions, exchanging both exhilarating virtuosity and quirky facial expressions in equal measure. The long-awaited full release from London five-piece Ezra Collective has arrived, and You Can’t Steal My Joy offers a gateway for mainstream music lovers to the UK jazz scene as the group incorporate a wide array of influences to produce a brave performance... ©2019 by Jazz Revelations. It's definitely a more up-tempo album with highlights being Red Whine for its sultry, reggae vibes, Sao Paulo for its south of the border feel, and the album's namesake, You Can't Steal My Joy, for its soulful jazz groove and awesome solos. In so much as the south London jazz scene has erupted in the last twelve months, the young five-piece has been the pulsing heartbeat of the afrobeat and grime fusion at its core. However, Ezra Collective would probably be in equally high spirits had no one played the single. Live, though, Ezra Collective take on a different energy. There was a constant dialogue on stage, in particular between the brothers, which one can imagine as a duel that has existed in many guises since childhood. Eager to add to the melting pot of influences, “Chris and Jane” (and later “São Paulo”) fuse the London sound with some Latin-tinged flavour. Technically stunning, universally accessible and undeniably feelgood, the Collective’s show firmly exploited ‘that Friday feeling’. Carner’s unique, liquid-like flow weaves itself into the equally laid-back Ezra track, a fitting aesthetic before we are once again urged to dance! James Mollison’s solo wades through the song effortlessly, sending us into a trance, all before its successor “Quest For Coin” further propels the journey through the streets of London (the grime influence reigns heavy in the bassline and percussion). Ezra Collective complete their world tour from the confines of South London, and in spite of the negativity that plagues everyday life, You Can’t Steal My Joy aims to be a guiding light. Tags With a tenor-trumpet core, Ezra Collective skilfully blend traditional tropes with a genre-fluid plurality, symbolic of their upbringing in the metropolis. Ezra Collective ’s debut album comes in as a kind of positive digestion system, leeching off your falsified happiness and replacing it with their authentic alternative. It is remarkably brave for an act as new as Ezra Collective to present its audience with so many contrasting styles. Femi remarked on the metal barrier positioned to deter the audience from standing in the space behind him, claiming that they’re not that sort of band; rather, they are much more down to earth. 17:01 24th April 2017. The release, a special double A-side single, also follows the band’s first visit to Australia earlier this year, beating the pandemic upheaval to play Golden Plains and Womadeliade. Photograph: Dan Medhurst. Armon-Jones weaved his magic on the keyboard with a glorious solo, before they returned to the rousing head, a refrain that was repeated later on. London’s Ezra Collective are back with new music. 8.0 | Clash The music itself is great, Ezra Collective is paving their own way in the new age of Jazz and I think this LP would be a great addition to any collection. Ezra Collective You Can't Steal My Joy Enter the Jungle Ezra Collective bring the fire on a stunning debut album, both an incredible cross section of London life and a … Every now and then, but not so often as to make you blasé, you can find yourself at a gig that will truly leave you speechless and absolutely quivering with the sheer joy of the experience, such is the level of the musical dynamics on show. With such a startling array of talent on offer, it was a mighty challenge to stay in one spot for too long for fear of missing out elsewhere…. Upon accidentally tossing a stick behind him, gratitude was immediately bestowed upon the young lady who returned it. Live Review: Ezra Collective at Ronnie Scott's, London, 22/04/17. 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